Movies @ Passando Mal

The movie combines a diverting story, songs, color and sequences of live action blended with the movements of animated figures. Mary Poppins is a kind of Super-nanny who flies in with her umbrella in response to the request of the Banks children and proceeds to put things right with the aid of her rather extraordinary magical powers before flying off again.

A drug lord who pretends to overthrow the Mexican government. A corrupt CIA agent (Johnny Depp) who at that time, demands retribution from his worst enemy to carry out the drug lord’s uprising against the government.

This movie is about Nancy Drew going to Los Angeles California with her father, who was going there on business. While she was there she happened upon a mystery that involved a murdered movie actress, and her daughter. Nancy found out her her daughter was, when nobody even knew that the actress had any kids, and the actress’s daughter inherited all of the actress’s money. At the end of the movie, once they got back home, Ned and Nancy kissed for what I think was their first actual kiss, and right after their quick kiss Nancy’s father told her that she had a call from some people in Germany, who were talking about the Loch Ness Monster.

Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house, hoping to be promoted when, on the same day, she meets a literary lion, Archie Knox, who’s 50 and who shows an interest in her, and gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He’s charming, attentive, and gives advice. He also has a history - ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It’s no fairy tale: family issues (and more) intervene, and Brett has decisions to make. Meanwhile, she’s working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d’oeuvre, or a peanut-butter sandwich?

Alfie is a remake of the 1966 film. In the contemporary film, Alfie is quite the ladies man and rarely gets rejected when it comes to the opposite sex. He successfully has relations with multiple women without a hint of emotional attachment. A major (lifelong) problem arises when he sleeps with the wrong woman, namely his best friend’s (and future business partner) ex-girlfriend. As a result, his life slowly comes into focus and he begins to appreciate the little things he always missed in the opposite sex. A must see for all guys who call themselves “players”.

John LeCarre’s spy thriller is brought to the big screen. A British spy (Pierce Brosnan) is banished to Panama after having an affair with an ambassador’s mistress. Once there he makes connection with a local tailor (Geoffrey Rush) with a nefarious past and connections to all of the top political and gangster figures in Panama. The tailor also has a wife (Jamie Lee Curtis), who works for the Panamanian president and a huge debt. The mission is to learn what the President intends to do with the Panama Canal. But what the two do is concoct a tremendous fictional tale about former mercenaries who are ready to topple the current government and are willing to work with Britain and the US to do so.

On November 16, 1959, Truman Capote reads about the murder of a Kansas family. There are no suspects. With Harper Lee, he visits the town: he wants to write about their response. First he must get locals to talk, then, after arrests, he must gain access to the prisoners. One talks constantly; the other, Perry Smith, says little. Capote is implacable, wanting the story, believing this book will establish a new form of reportage: he must figure out what Perry wants. Their relationship becomes something more than writer and character: Perry killed in cold blood, the state will execute him in cold blood; does Capote get his story through cold calculation, or is there a price for him to pay?

Lorelei and Dorothy are just “Two Little Girls from Little Rock”, lounge singers on a transatlantic cruise, working their way to Paris, and enjoying the company of any eligible men they might meet along the way, even though “Diamonds are a Girl’s Best Friend.” Based on the Broadway musical based on the novel.

French vs. American social customs and behaviors are observed in a story about an American visiting her Frenchman-wed sister in Paris.

The story of Detective Agustin Rejas, a man clinging to the hope of an impossible love in an impossible world. Tracking Ezequiel, a delusional anarchist who incites the downtrodden masses to join in his brutal revolution against the fascist government in their unnamed Latin American country, Rejas finds solace in his sense of self-respect and the joy that his daughter and wife bring him. Then he meets Yolanda—his daughter’s soulfully beautiful ballet teacher—a woman who sparks his long-forgotten passions and represents all that is good and all that is corrupt in their troubled country. But she, who appears to be a shelter from the storm, may in actuality be the storm’s eye. Ultimately, as the revolution intensifies and the net closes around hunter and hunted alike, the dancer’s truth will prove as elusive as the revolutionary’s cause and the detective’s peace.

Father Lankester Merrin thinks that he has glimpsed the face of Evil. In the years following World War II, Merrin is relentlessly haunted by memories of the unspeakable brutality perpetrated against the innocent people of his parish during the War. In the wake of all the horror he has seen, both his faith in his fellow man and his faith in the Almighty have deserted him, and he can no longer honestly call himself a man of God. Merrin has traveled far from his native Holland in a desperate attempt to try to forget and escape all the evil that he had witnessed there. While currently in Cairo, Egypt, he is approached by a collector of rare antiquities and asked to participate in a British archeological excavation in the remote Turkana region of Kenya. They have unearthed something extraordinary and unusual…a Christian Byzantine church dating from the 5th century, long before Christianity arrived in East Africa, and in inexplicably perfect condition–like it had been buried immediately after it was completed. The collector wants Merrin, an Oxford-educated archeologist, to find an ancient relic hidden within the church before the British do. Interested, Merrin agrees to take the job. But beneath the church, something much older and malevolent sleeps, waiting to be awoken. When the archeologists start excavating, strange things begin occuring, and the local Turkana tribesmen who were hired to work refuse to enter the site. Things only get worse and worse, ultimately resulting in madness and death. Merrin watches helplessly as the atrocities of war are repeated against another innocent village–atrocities he had hoped and prayed never to see again. The blood of innocents flows freely on the East African plain, but the horror has only just begun. In the place where Evil was born, Merrin will finally see its true face.

A charismatic convict (Bruce Willis) and a hypochondriac inmate (Billy Bob Thornton) break out of prison in a cement truck and immediately start a bank robbing spree. Becoming known as the “Sleepover Bandits”, the two kidnap bank managers the night before their robbery, spend the night with their families, and then all go to the bank in the morning to get the dough. Using a dim-witted stunt man (Troy Garrity) as their getaway driver and lookout, the three successfully pull off several jobs that gets them recognition on a tv show about America’s criminals. When a bored housewife (Cate Blanchett) with a failing marriage decides to runaway, she ends up in the hands of the criminals. Initially attracted to Willis, she nonetheless also ends up in bed with Thornton and a confused romantic relationship begins. Continuing along with their spree, the bandits hit the wall when the bank managers realize that they are non-violent and therefore no threat to them or their employees. This leads to one more big score at the Alamo Bank, where in the very opening scenes, things appear to go awry.

During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.

David Mann (’Dennis Weaver (I)’ (qv)) is just a regular family man on a business trip. Unfortunately, things go from bad to worse when a huge gasoline truck in front of him forces him to drive slower than he wants. As the drive continues, Mann realizes that he’s not dealing with just another road hog. Though he can never see the trucker’s face, the driver proves to be psychopathic, starting to run Mann off the road and trick or force him into a number of deadly situations. As the horrific trip continues, Mann tries to lose the truck, but each time he thinks he’s finally in the clear, the truck returns to terrify him more. Finally, the horrific conflict builds to a point where he realizes that running won’t save him, and that he must take a stand and fight back against the insane trucker.

Three fraternal bank robbers languishing in jail, discover a profitable (if not dodgy) way to spend their time. Crime can most certainly pay, if you “know wot I mean?” However when sex and greed rear-up between the good crims and the bad cops, the consequences are both bizarre and fatal.